APOCALIPSTICK

POLYTOXIC & FRIENDS

Sashaying out of the rubble and into the limelight is an all-star rag-tag team of Brisbane’s finest theatre hybrids in a jaw-dropping, eye-popping, ring-stinging feast for the senses.

Revel in brand-new and fan-favourite acts from a killer rotating lineup hand-picked by Polytoxic. 

Arm yourself for the brave new world in this after-dark playground of ridiculousness, hectic wigs, extreme g-strings, sassy whip-cracking and golden electro hip-thrusting. This is raucous cutting-edge cabaret that’s sure to leave you with a spring in your step and a fresh new coat of APOCALIPSTICK!

DATES

6 – 28 November 2020
8pm Friday & Saturday

DURATION

45 – 50 mins

WHERE

New Benner Theatre
Metro Arts @ West Village

PRICE

General Admission $35 + booking fee
Concession $28 + booking fee

KEY CREATIVES

Curated & Produced by Polytoxic (Lisa Fa’alafi & Leah Shelton)

VISITING US

We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Click here for more information. 

THE ARTIST

POLYTOXIC

POLYTOXIC is an Australian collective known for creating hyper-visual, pop-inspired performance work built upon foundations of diversity, collaboration and intersectionality.

The company is led by two feminist performance-makers at the top of their game: Lisa Fa’alafi & Leah Shelton. Lisa is the renowned Co-Creator of smash-hit Hot Brown Honey, which has played to over 50,000 people across five countries, garnering numerous 5-star reviews, a Helpmann, two Green Rooms and UK’s Total Theatre Award for Innovation. Leah has created two renegade feminist solo works, Terror Australis (which most recently toured throughout France); and Bitch On Heat, directed by Ursula Martinez, which toured the major Australian Festivals and Soho Theatre London to critical acclaim in 2019.

Since 2000, Polytoxic’s work has been presented in traditional huts, indie theatre seasons, dusty big-tops and major festivals including PS122’s COIL Festival New York, Harbourfront Centre Canada, WanSmolbag Vanuatu, Sydney Opera House, Darwin Festival, Brisbane Festival, Perth Fringe World, Bleach Festival, Enlighten, ArtsHouse Melbourne. 

Key works include live-art karaoke ‘The BackUp Service’, site-specific watertop projection work ‘Trade Winds’, immersive nightclub takeover ‘Dali After Dark’, mongrel tiki-circus show ‘The Rat Trap’ (co-presented with QTC), and rose-tinted travelogue ‘Teuila Postcards’.

ACKNOWLEDGEMENTS

This project is supported by the Queensland Government through Arts Queensland.