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COLLISION

COLLISION

COLLISION

By Casus Circus

Presented by Metro Arts 

The B-boy meets the Bendy boy. Hip hop and the Hula Hooper. Pop, lock and adagio.

COLLISION  is a cross-pollination of contemporary circus and street dance, teaming together two Brisbane powerhouses, Casus Circus and Mad Dance House. 

Casus Circus is a pioneer contemporary circus company known for ground-breaking acrobatics and physical poetry with a reputation as a leader on the world stage. Mad Dance House is a mover and shaker in the urban and street dance international scene, responsible for some of Australia’s most charismatic and celebrated street dancers. 

COLLISION will be an explosion for your senses!

DATES

Wed 14 – Sun 18 Jul, 2021

EXTRA SHOW ADDED
3:30pm, Sun 18 Jul

TIMES

Wed – Sat 7:30pm
Sun 3:30pm + 7:30pm

VENUE

New Benner Theatre
Metro Arts, West End

TICKETS

General Admission $35 + booking fee
Preview Wed 14 Jul / $25 + booking fee
Concession
$25 + booking fee
Groups 6+ $25 + booking fee

Booking fee $0.50 per ticket purchased

AGES + WARNINGS

Suitable for ages 6+.

THE ARTISTS

Natano Fa’anana – Director
Natano’s unique style of performance draws inspiration from his Samoan roots, fused with acrobatics, aerials and dance. He has achieved international recognition through his work with the award winning Polytoxic Theatre Company, as Co-creator and Performer in Briefs Factory, and in his current role as Co-founder, Creative Director of Casus Circus.

Ché Pritchard – Creative Consultant / Choreographer
Coming primarily from a Street Dance background Ché has already had a long and diverse career Performing, Choreographing and Directing in the commercial dance world. From stadium entertainment to street performance to stage productions, Ché has choreographed as part of the Winter Olympics in Vancouver, Special Olympics World Games in Los Angeles and the Commonwealth Games on the Gold Coast. Ché is also the Creative Director and Lead Choreographer of one of Brisbane’s highest profile annual social events Dancing CEOs. His passion for movement creation and his positive energy are infectious and ever present, always being noted and appreciated within his project teams. 

Amy Stuart
Amy found her love of circus when she was 14 at the Woodford Folk Festival. She then joined Flipside Youth Circus and made her way into the performance troupe. After performing at Woodford when she was 16 & 17, she auditioned for the Flying Fruit Fly Circus School and soon began training their full time. Two years on, she graduated with solo acrobatic Tightwire, Teeterboard, Partner Acro, Tumbling and Group Bike. She has recently performed in We Live Here a show based on the lives and experiences of children from Hummingbird House a palliative care facility. Following this she has started a collaborative show demonstrating the strength and awesomeness of women, Boss Squad. Boss Squad has performed nationally and Internationally and is still touring.

Riley Colquist
From a young age Riley trained with Flipside circus in Brisbane, travelling and performing nationally. After 12 years at Flipside, Riley moved to Melbourne to train at the National Institute of Circus Arts. He returned to Brisbane a year later to develop personal projects. He endeavours to continue his circus education at Ecole Nationale de Cirque in Quebec. Riley’s specialty is contortion and handstands. He is inspired by the Mongolian and Chinese methods of skill and strength. However, it was the art of storytelling and rich audience connection which drew him to a career in circus. His passion continues to drive his creativity and challenge him as an artist.

Ela Bartilimo
Ela is a Brisbane based circus performer and visual artist. Starting in youth circus, she went on to study aerial rope and group acrobatics at NICA in Melbourne. During her time as a student she performed with Company 2, One Fell Swoop, and co-created and performed in Four or More Circus. After graduating and she joined Circa Contemporary Circus as a full time acrobat. For two years she toured the world with the company performing in magical places like Austria, Germany, France and the UK. Now back in Australia as an independent artist, Ela strives to create work that will spark a change in her audience and reflect the world, therefore she is constantly experimenting, improvising and adapting to her observations.

Wanida Serce
Wanida is an established performer, choreographer and creative director who is passionate about uplifting the community and championing diversity. Some of the projects she has been involved with are: dancing for Jessica Mauboy, Commonwealth Games, The Special Olympics, Puma as well as featuring in campaigns for Vice, Absolut Vodka, Fox Sports & Universal Store. She is also a prominent teacher in the industry and is involved in mentoring teens and young adults with disabilities at BAMD, Brisbane’s first inclusive dance program. Wanida is a proud woman of colour that is successfully working in multiple fields of street/commercial dance – performing, teaching, choreographing, battling, judging and producing work. She continues to strive to inspire, mentor and be a pillar of representation through her all female dance collective, Pink Matter. 

Sam Evans
Sam Evans is a Brisbane-based dance artist, specialising in popping, robotics, and animation, while also being adept in many more dance styles. Despite only started his dance journey at the age of 17, Sam quickly made a name and career for himself in the entertainment world. Performing nationally and internationally with Swagamama, and as a founding member of Equals was an Australia’s Got Talent grand finalist in 2016. Sam currently works as an independent contractor for both corporate and creative works, while also working as an entertainer at Dreamworld and a Hip Hop teacher for Superstars Dance. 

Ben Garcia
Ben Garcia also known as BennyBucho is a professional street dancer based on the Gold Coast. He’s a part of many world class crews and companies including Team Cream, Swagamama, Skill@will, Trick Nasty Crew, Equals, Elements Collective and Geed Up Music. With 19 years experience Ben is recognised as one of the best Bboys in Australia! 

Natano Fa’anana Director

Ché Pritchard Creative Consultant/Choreographer

PERFORMING ARTISTS

Amy Stuart

Riley Colquist

Ela Bartilimo

Wanida Serce

Sam Evans

Ben Garcia

ACKNOWLEDGEMENTS

VISITING US

We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility. Click here for more information. 

LESBIAN LOVE STORIES

LESBIAN LOVE STORIES

LESBIAN LOVE STORIES

By Natasha Veselinovic & Chloe Taylor

Presented by Metro Arts & The Local Lesbians

But you don’t look gay?

Lesbian Love Stories is a concert-style cabaret performed by three local lesbians and one rockin’ pianist.

Featuring anonymous true tales of love from across the globe, this heart-warming performance is delivered through song and speech by powerhouse women with vocals to match.

Stories will be shared, drinks may be split, and we promise not to tell anyone how you smudged your lipstick…

Don’t miss this new honest and fun show, with an awkward moment (or three) thrown in for good measure.

DATES

Fri 23 Jul, 2021

TIME

7:30pm

VENUE

New Benner Theatre
Metro Arts, West End

TICKETS

General Admission $35 + booking fee
Concession
$32 + booking fee
Groups 6+ $32 + booking fee

Booking fee $0.50 per ticket purchased

DURATION

60 minutes

AGES + WARNINGS

Suitable for ages 15+. Contains adult themes and sexual references.

THE ARTISTS

Natasha Veselinovic
Natasha Veselinovic is musical theatre performer, writer, and visual artist. She graduated from the Queensland Conservatorium with a Bachelor of Musical Theatre, and also holds a Bachelor of Arts in Applied Theatre (Griffith University). Her previous theatre credits include, Cover Madame Thenardier, in Cameron Mackintosh’s Les Miserables (Asia and Dubai tours), The Railway Children (Alex Parker Theatre Company, Cadogan Hall, London), The Girls From Oz (London Hippodrome, and Live at Zedel, London), Woman 2, 35mm: A Musical Exhibition (Australian Premiere), Claire, UniReach (Australian Regional Tour), and Killer Queens (Brisbane Powerhouse). Natasha has co-written and performed in three cabarets – Villains (Brisbane Powerhouse & QACI), Once Upon A Time (Toulouse Lautrec, London), and Lesbian Love Stories (Brisbane Powerhouse & RPAC).

Chloe Taylor
Chloe Taylor graduated from the Queensland Conservatorium with a BMus (Musical Theatre) in 2013. Since then she has performed professionally both nationally and internationally as a singer, dancer, actor and writer. Some theatre credits include – Hold Me Touch Me/The Producers (Brisbane Powerhouse), Ensemble & Dance Captain/State of Origin:The Musical (Princess Theatre), Victor/Victoria/ Six Inches (Brisbane Powerhouse), Blonde/The Girls From Oz (UK tour), Belle/Beauty & the Beast (UK Tour), Cinderella/Cinderella (UK Tour), Vocalist & Dancer/Boy&Girl (Brisbane Powerhouse), Miss Gardner/Carrie (Brisbane Powerhouse). She has also co-created three cabaret shows that she performed in – Villains, (Brisbane Powerhouse & QACI), Once Upon A Time (Toulouse Lautrec, London), and Lesbian Love Stories (Brisbane Powerhouse & RPAC).

Jahla Black
Jahla is a Musical theatre performer and writer. Having only recently graduated in 2020 from the Queensland Conservatorium with a Bachelor of Musical Theatre, she is fresh on the scene. Whilst at the Conservatorium she was cast as The Drowsy Chaperone in The Drowsy Chaperone, Monica in Elegies and Elphaba in Wicked. Since graduating, Jahla Co-wrote and performed in Committed, Content, Confused, to a sold-out season at the Wynnum Fringe festival. Jahla is stoked to be joining The Local Lesbians for Lesbian Love Stories at Metro Arts.

VISITING US

We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility. Click here for more information. 

AN INTIMATE EVENING WITH THE ARCHITECTS OF SOUND

AN INTIMATE EVENING WITH THE ARCHITECTS OF SOUND

AN INTIMATE EVENING WITH THE ARCHITECTS OF SOUND

By The Architects of Sound & Friends

Presented by Metro Arts

“They do not make music, they are not musicians. They are The Architects of Sound.”

Brisbane’s finest electronic trash trio are bigger, better, and gayer than ever and here to treat your ear holes to some sound.

Sexy, intelligent, thought provoking. Are they all these things? We’ll never know. The only thing that’s for sure: they are downright genius and on the comeback tour of the millennium.

Get intimate with Valencia Low-Fi, Amaro Mayfair and Sutro, as they perform your favourite sonic memoirs from years past. Prepare yourself for classic hits such as “Clap My Beat” and “Titties in Paradise”, and if you’re lucky they may even perform some new works of genius.

As if they haven’t already given you people enough, The Architects have also graciously invited their favourite friends to entertain and delight you.

DATES

Thu 29 Jul, 2021

TIME

7:30pm

VENUE

New Benner Theatre
Metro Arts, West End

TICKETS

General Admission $35 + booking fee
Concession
$32 + booking fee
Groups 6+ $32 + booking fee

Booking fee $0.50 per ticket purchased

DURATION

2 hours with interval

AGES + WARNINGS

Suitable for ages 18+. Course language, mild nudity, sonic genius. 

Photo by Georgia Wallace.

THE ARTISTS

The Architects of Sound
The Architects of Sound are an established Brisbane-based alternative, independent electronic trash trio whose native, instrumental sound was forged in a West End garage during a fierce electrical storm in 2012. Maintaining an anti-careerist, anti-music industry attitude, the trio rose to public recognition in early 2013 after a rare underground showcase of a compilation demo-tape went viral on Vine, garnering strong positive critical acclaim in numerous underground Brisbane music zines. Regarded for their minimalist, stripped-down vocal style, meditative and organic post-electro anthems and low-fi music aesthetic, the trio have released their EP The Holy Trinity (2016), and begun work on their second debut album ARTFAP to be released exclusively through Limewire; a sonic exploration of the abstract concepts of divinity, desire and sacrifice in contemporary art culture.

VISITING US

We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility. Click here for more information. 

THE PEOPLE’S DANCE PARTY

THE PEOPLE’S DANCE PARTY

THE PEOPLE’S DANCE PARTY

By Bring a Plate Dance

Presented by Metro Arts

The People’s Dance Party – Celebrating diverse bodies, identities and movement!

Come watch, listen, learn and if you’re feeling it get up and dance! Brought to you by local groovers Bring a Plate Dance, join us on an immersive dance journey and witness the passion, artistry and diversity of Meanjin’s dance community.

Featuring pop-up performances throughout the night each one spilling into facilitated crowd participation and echoed through the music that follows, lifting the lid on our moving city and inviting you to move to its ‘riddims’!

DATES

Fri 30 Jul, 2021

TIMES

6:30pm + 8:30pm

VENUE

New Benner Theatre
Metro Arts, West End

TICKETS

General Admission $35 + booking fee
Concession
$32 + booking fee
Groups 6+ $32 + booking fee

Booking fee $0.50 per ticket purchased

DURATION

75 minutes per session

AGES + WARNINGS

Suitable for all ages.

THE ARTISTS

Bring A Plate (BAP)
Bring A Plate (BAP) is an inclusive dance company that has been bringing people together, celebrating diversity, and creating safe spaces since 2017. BAP can be found activating urban and green spaces through participatory dance and storytelling across Meanjin and beyond. Founded on the pillars of community, inclusion, creativity, agency, sustainability, and fun, BAP challenges Australian society’s perception of who can dance, how to dance, and where to dance.  We do this through our weekly outdoor community dance classes, site-specific performances and flashmobs, inclusive dance parties, and dancing in public whenever we can. 

The People’s Dance Party has been running sporadically since 2019, bringing together a menagerie of professional dance artists and community performers from across Meanjin’s incredibly rich and resilient dance communities. It aims to educate, cross-pollinate and stimulate both artists and audiences.  We guarantee you will be moved!

VISITING US

We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility. Click here for more information. 

RISING

RISING

RISING

A Playlab Theatre production presented in association with Metro Arts

By Hannah Belanszky, Madeleine Border, Emily Burton, Lauren Sherritt, Sarah Wilson

Sea levels, displacements, poverty… who is listening?

Through rising sea levels, and open conflict between Government and Rebel forces, a remote island country is at tipping point, facing imminent environmental, economical and social collapse.

Out of the chaos, five stories of  integrity, idealism, justice, compassion and hope emerge.

From five fabulous emerging female playwrights, this ambitious new work responds to the looming ecological crisis, in an effort to find equality and balance.

DATES

7.30pm, 3 – 13 February 2021
Previews: 7.30pm, 3 & 4 February 2021

VENUE

New Benner Theatre

TICKETS

General $45
Concession / Preview $39 
Schools Students $29* 
+ booking fee

*For High School student groups, please contact Metro Arts. 

 

Booking fee $0.50 per ticket purchased

DURATION

Approximately 90 minutes. No interval.

Image by Justine Walpole.

THE ARTISTS

HANNAH BELANSZKY – PLAYWRIGHT

Hannah Belanszky is an emerging writer, actor and Yuwaalaraay woman based in Brisbane. Her focus is on telling Aboriginal stories and creating work that is bold, imaginative and female driven. Hannah’s play don’t ask what the bird look like was a finalist for the 2018-19 Queensland Premier’s Drama Award and was commissioned by Queensland Theatre. She wrote and directed her cabaret The Wives of Wolfgang which was performed at Brisbane Powerhouse in 2017 and toured to Fringe World Perth and Adelaide Fringe in 2020 where it was awarded Best Cabaret at the Adelaide Fringe Weekly Awards. Her play Shadow in a Dress was developed through QPAC/Playlab Theatre’s ‘Sparks’ program for First Nations writers and was programmed at La Boite HWY.  (Read full bio)

MADELEINE BORDER – PLAYWRIGHT

Madeleine Border is a Brisbane based theatre maker, performer, and writer. She was one of Playlabs Young Playwright-in-Residence participants for 2019 and is currently involved in Playlabs 2020 Incubator program. She co-founded a theatre collective, Yours Sincerely, who created original works for FAST in 2018 with ‘Sometimes it’s Hot like the Sun’, and ‘This Fantastic Plastic Planet’ as part of Backbones Residency program in 2019. After finishing an undergraduate degree, majoring in Drama and Political Science, she finished her studies by completing a Masters of Writing, Editing and Publishing at the University of Queensland in 2019.

EMILY BURTON – PLAYWRIGHT

Emily Burton is an actress, theatre-maker, playwright and teaching artist. As an actress, her production credits include: Storm Boy (MTC/QT); Single Asian Female (Laboite Theatre Company/Belvior); The Seagull, Oedipus Doesn’t Live Here Anymore, The Fledglings, Riley Valentine (QT); The Wider Earth (QT/Sydney Festival/Dead Puppets Society); A Midsummer Night’s Dream (LaBoite Theatre Company); A Tribute of Sorts (QT/Monster’s Appear/Laboite Theatre). Emily has performed nationally with numerous acclaimed Independent Theatre companies including Dead Puppets Society, Imaginary Theatre Company, Monster’s Appear and Grin and Tonic Theatre Troupe. Major Awards include: Matilda Award for Best Actress in a Lead Role in A Tribute of Sorts; A recipient of Queensland Theatre Independents Resources Funding; and a proud participant in the Playlab Incubator 2018 playwriting program. (Read full bio)

LAUREN SHERRITT – PLAYWRIGHT

Lauren is a playwright and director. Her plays Sans Love (2014) and One Black Mark (2015)were produced at Anywhere Theatre Festival, and her monologue The Panel was published in ATYP’s The Voices Project: Encore Edition. In 2017, she wrote interactive digital story Master of Time for Story City, produced as part of celebrations to mark 50 Years of Landscape Architecture at QUT. Lauren has participated in Playlab’s Incubator program, ATYP’s Fresh Ink Mentoring Program and ATYP’s National Studio.

SARAH WILSON – PLAYWRIGHT

Sarah Wilson is an emerging Brisbane based writer. Sarah was a member of QTC’s Young Writers Group in 2016. She was a part of Queensland Theatre’s Playwrights 18-26 Program in 2017, where she created her play Recreational Mathematics. In 2018 Sarah wrote and developed her latest work, The Kmart Chronicles, as part of Playlab’s Incubator program. Her short story, First Do No Harm, was published as part of the Arts Alliance of Pine Rivers’ 2014 anthology Alpha and Omega. Sarah is currently undertaking an Honours degree in Drama at the University of Queensland, having earned a Bachelors of Science/Arts dual degree with majors in Mathematics, Computer Science, and an extended major in Drama.

KEY CREATIVES

Hannah Belanszky / Playwright
Madeleine Border / Playwright
Emily Burton / Playwright
Lauren Sherritt / Playwright
Sarah Wilson / Playwright
Kathryn Marquet / Dramaturg
Kate Wild / Director
Ella Lincoln / Designer
Christine Felmingham / Lighting Designer
Anna Whitaker / Sound Designer
Helen Fitchett / Stage Manager 
Chenoa Deemal / Cast
Ling Cooper Tang / Cast
Steven Rooke / Cast

 

ACKNOWLEDGEMENTS

Rising is supported by the Queensland Government through Arts Queensland.

VISITING US

We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility. Click here for more information. 

THE BULL, THE MOON, AND THE CORONET OF STARS

THE BULL, THE MOON, AND THE CORONET OF STARS

THE BULL, THE MOON, AND THE CORONET OF STARS

Presented by The Hive Collective and Metro Arts

By Van Badham | Directed By Heidi Manché

Celebrate the complexities at the heart of female sexuality with this playful, sexy and smart romcom-riff on ancient Greek mythology.

Marion avoids attractive men, and besides, Michael is married. But something monstrous has awoken in the Ashmolean Museum and won’t be satisfied until the thread of desire is pursued to its inevitable end.

Fast forward to a Welsh seaside  resort where a now-penitent  Marion finds redemption in the most unexpected place.

“A love letter to language, mythology and love itself, it’s clever, sexy, funny and uplifting.” 

The Australian

Take a look at The Hive’s Collective’s other two works in Metro Arts’ current season:

Elektra / Orestes
Conviction

DATES

7:30pm, Wed 17 – Sat 27 Feb, 2021

VENUE

New Benner Theatre
Metro Arts, West End

TICKETS

General Admission $42 + booking fee
Concession $35 + booking fee
Groups 6+ $35 + booking fee
Preview Wed 17 Feb $35 + booking fee

Booking fee $0.50 per ticket purchased

DURATION

Approximately 90 minutes. No interval. 

AGES + WARNINGS

Suitable for ages 15+. May contain coarse language. Please note – a lockout period applies. Latecomers may be admitted at a suitable break in the performance. 

Image by Stephen Henry

THE ARTISTS

Director Heidi Manché 
Designer Sarah Winter 
LX Designer Christine Felmingham 
Musician/Composer Shenzo Gregorio 
Cast Sarah Ogden, Rob Pensalfini 

 

The Hive Collective
Hive is a new theatre collective led by Artistic Directors Heather Fairbairn, Heidi Manché and Kate Wild. These three established directors are thrilled to be producing and supporting each other’s work, creating jobs for local artists and offering quality independent theatre for Brisbane’s audiences.

Heidi Manché – Director
Hive Co-Artistic Director Heidi Manché studied theatre in Sydney and La Sapienza Rome University in Italy, with a project to work alongside Nobel laureate Dario Fo. Heidi translated many of Fo’s texts and was a core ensemble member of the theatre troupe Stalker, touring throughout Italy. On her return to Australia, she became Artistic Director of The Crypt Theatre, Sydney, producing and directing several plays including Can’t Pay, Won’t Pay by Dario Fo, A Woman Alone by Franca Rame, It’s all in the Timing by David Ives and Charmayne (award-winning documentary – Sydney Film School). In Brisbane she founded theatre company Room to Play which has produced and directed The Bald Prima Donna by Eugene Ionesco (Melbourne Fringe Festival), Afterplay by Brian Friel (Theatre 505) Mistero Buffo by Dario Fo (Bille Brown, supported by Queensland Theatre), Red Sky Morning by Tom Holloway and The Eisteddfod by Lally Katz (Metro Arts).

Van Badham – Playwright
Van Badham is the award-winning writer of more than 30 internationally-produced plays for stage and radio. She writes a weekly column for The Guardian and appears regularly on television and radio as a commentator, critic and activist. Van has had work developed and produced across Australia, Europe and North America. Her most recent Australian productions include Banging Denmark for the Sydney Theatre Company and The Bloody Chamber for Malthouse. In Britain, Van was writer-in-residence at LAMDA for two years and has worked with the Royal Court Theatre, the Bush (for Paines Plough), Nabokov, the Battersea Arts Centre, Luxi and Theatre503, as well as at the Edinburgh Fringe and on the touring circuit. Van’s radio commissions have been for the BBC World Service, Radio 4, and Radio 3 and her first screenplay, We Come Home, was developed with a grant from the Australian Writers’ Guild.

ACKNOWLEDGEMENTS

The Hive Collective’s 2021 season is supported by the Queensland Government through Arts Queensland and through the Creative Sparks Fund, a partnership between the Queensland Government and Brisbane City Council to support local arts and culture in Brisbane

VISITING US

We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility. Click here for more information. 

ELEKTRA/ORESTES

ELEKTRA/ORESTES

ELEKTRA/ORESTES

Presented by The Hive Collective and Metro Arts

By Jada Alberts and Anne-Louise Sarks | Directed by Heather Fairbairn

Love, justice and revenge. Ancient Greek tragedy collides with a very modern royal family in this showdown for the ages.

Born to a household mired in murder and bloodshed, Elektra is really not okay. Seething with anger and vengeance, she blasts her music louder and waits impatiently for her brother Orestes to return from exile. Knowing that when he does, the walls of this house will shake.

Elektra sent Orestes into exile when he was just 11. He was the next in line for her father’s throne. Nine years later he has come of age. Now he’s on way to join Elektra and take the ultimate revenge. There will be blood.

Alberts and Sarks’ visceral and contemporary adaptation lays open the devastating legacy of trauma  on future generations, in a stunning spectacle of retribution, love, justice and power.

★★★★ “This is how all Greek tragedies should be performed.  …fast and furious, packing the Sophoclean epic into just one hour.” 

The Guardian

Take a look at The Hive’s Collective’s other two works in Metro Arts’ current season:

The Bull, the Moon, and the Coronet of Stars
Conviction

DATES

7:30pm, Wed 3 – Sat 13 Mar, 2021

VENUE

New Benner Theatre
Metro Arts, West End

TICKETS

General Admission $42 + booking fee
Concession $35 + booking fee
Groups 6+ $35 + booking fee
Preview Wed 3 Mar $35 + booking fee

Booking fee $0.50 per ticket purchased

DURATION

Approximately 70 minutes. No interval. 

AGES + WARNINGS

Suitable for ages 15+. May contain coarse language, loud noises, depictions of violence, depictions of death or dying, and replica firearms. Please note – a lockout period applies. Latecomers may be admitted at a suitable break in the performance. 

Image by Stephen Henry

THE ARTISTS

Director Heather Fairbairn 
Designer Sarah Winter 
LX Designer Christine Felmingham 
Composer / Sound Designer Julian Starr 
Cast includes Violette Ayad, Caroline Dunphy, Tate Hinchy, Tatum Mottin, Marcus Oborn

 

The Hive Collective
Hive is a new theatre collective led by Artistic Directors Heather Fairbairn, Heidi Manché and Kate Wild. These three established directors are thrilled to be producing and supporting each other’s work, creating jobs for local artists and offering quality independent theatre for Brisbane’s audiences.

Heather Fairbairn – Director
Hive Co-Artistic Director Heather Fairbairn directs theatre and contemporary opera. Working throughout Australia, Europe and the UK, her directing credits include Silk Moth by Bushra El-Turk (Arcola Theatre, London), The Mutant Man by Christopher Bryant (The Space Arts Centre, London), The Magic Flute (European Tour), and Sunnytown by Krystal Sweedman (La Boite). Heather regularly collaborates with renowned theatre director Katie Mitchell, working on Ariadne auf Naxos and Alcina (Festival d’Aix), Lucia di Lammermoor (Royal Opera House), and Ophelias Zimmer by Alice Birch (Schaubühne Berlin). In 2019 and 2020, Heather directed the revival of Katie Mitchell’s Ariadne auf Naxos with new casts at Théâtre des Champs Elysées, Finnish National Opera, and the Royal Danish Opera. As assistant director, credits include: Lord of the Flies directed by Kip Williams (Sydney Theatre Company), Accidental Death of An Anarchist directed by Sarah Giles (Sydney Theatre Company), Orpheus & Eurydice directed by Yaron Lifschitz (Opera Queensland), and As You Like It directed by David Berthold (La Boite).

Jada Alberts – Playwright
Jada hails from Larrakia, Yanuwa, Bardi and Wardaman country in the Top End of Australia and she shares her unique perspective with audiences as a young Indigenous Australian woman. She works professionally as an actor, director and writer. Jada was an associate artist at Belvoir in 2014-2015 and was the recipient of the 2013 Balnaves Foundation Indigenous Playwright’s Award. In 2014 her debut work Brothers Wreck was part of the main stage season at Belvoir to critical acclaim, which she then went on to direct in 2018 at the Malthouse Theatre and the State Theatre Company of South Australia to rave reviews. In 2016 Jada directed her first show at Belvoir Title & Deed. In 2016-2017 Jada completed a writing fellowship with Bell Shakespeare and in 2017 Jada was the Assistant Director on Sydney Theatre Company’s production Three Sisters, directed by Kip Williams.

Anne-Louise Sarks – Playwright
Anne-Louise works internationally as a director, writer and dramaturg. In 2019 she directed Avalanche for The Barbican Centre (London). In 2018 she was Artistic Director of the Lyric Ensemble at the Lyric Hammersmith, directed a new production of her acclaimed Medea for Theater Basel, directed a new adaptation An Enemy of the People for Belvoir, and her production of Sarah Kane’s Blasted at Malthouse was nominated for four green room awards including Best Director. Anne-Louise was Resident Director at Belvoir from 2013-2015. In 2011 she was Director in Residence at Malthouse Theatre Company, and from 2010-2013 Anne-Louise was Artistic Director of The Hayloft Project. In 2015 Anne-Louise directed a re-imagining of Medea at The Gate Theatre, London winning five 2013 Sydney Theatre Awards. It was also awarded an AWGIE for Best Stage Play and in 2013 was nominated for four Helpmann Awards including Best Direction, Best New Australian Work and Best Play.

ACKNOWLEDGEMENTS

The Hive Collective’s 2021 season is supported by the Queensland Government through Arts Queensland and through the Creative Sparks Fund, a partnership between the Queensland Government and Brisbane City Council to support local arts and culture in Brisbane

VISITING US

We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility. Click here for more information. 

CONVICTION

CONVICTION

CONVICTION

Presented by The Hive Collective and Metro Arts

By Zoey Dawson | Directed by Kate Wild

How can a playwright make a difference when she doubts every word she places on the page? And does literary immortality really matter when the world is about to end?

In a messy lounge room in Brunswick East, a young woman starts to write a play – an important play, an instant classic, a story that matters. But her convict drama insists on unravelling and now our corseted protagonist has 5000 words to write and an Ottolenghi fish dinner to prepare.

Zoey Dawson mocks the Australian canon and her own artistic ambition in this meta-theatrical black comedy. This caustically funny interrogation of the creative process is both deeply personal and resonantly universal.

 “This work is generous, provocative, urgent, entertaining, and mind-bendingly clever.” – ★★★★1/2 ArtsHub

“Go and see this play. It’ll make you think, it’ll make you laugh and it’ll make you want to see it again.” – ★★★★★ Broadway World

“My new gold standard for a play” – The Courier Mail

“Emily Burton is luminous [with] a goofy comic presence that is a joy to watch” – Stage Whispers

“…absurdly hilarious, wonderfully acted and reminds us that we are all imperfect human beings.” – Theatre Haus

“This is a play that moved me in many ways and will stay with me for a while, for its relatability as much as its perplexing nature.” – Nothing Ever Really Happens In Brisbane

DATES

7:30pm, Wed 17 – Sat 27 Mar, 2021*

*Auslan Interpreted performance
7:30pm, Wed 24 March

VENUE

New Benner Theatre
Metro Arts, West End

TICKETS

General Admission $42 + booking fee
Concession $35 + booking fee
Groups 6+ $35 + booking fee
Preview Wed 17 Mar $35 + booking fee

Booking fee $0.50 per ticket purchased

DURATION

Approximately 70 minutes. No interval. 

AGES + WARNINGS

Suitable for ages 15+. May contain coarse language, loud noises, depictions of drug use and violence, depictions of death or dying, and replica firearms. Please note – a lockout period applies. Latecomers may be admitted at a suitable break in the performance. 

Image by Stephen Henry

THE ARTISTS

Director Kate Wild 
Designer Sarah Winter 
LX Designer Christine Felmingham 
Sound Designer  Anna Whitaker 
Cast Emily Burton, Luisa Prosser, Kevin Spink, Jeremiah Wray 

 

The Hive Collective
Hive is a new theatre collective led by Artistic Directors Heather Fairbairn, Heidi Manché and Kate Wild. These three established directors are thrilled to be producing and supporting each other’s work, creating jobs for local artists and offering quality independent theatre for Brisbane’s audiences.

Kate Wild – Director
Hive co-Artistic Director Kate Wild is the award-winning writer and director of The Sound of a Finished Kiss. Having worked in theatres throughout London, Bristol and Melbourne she has returned to Brisbane, founding Now Look Here and directing Splendour, A Slight Ache and The Seagull for the company.

Zoey Dawson – Playwright
Zoey Dawson is a theatre maker and screenwriter based in Naarm/Melbourne on the lands of the Kulin nation. Her recent credits include as playwright, Australian Realness (Malthouse Theatre), Conviction (ZLMD Shakespeare/Darebin Arts), Welcome to Nowhere (Monash University/Malthouse), Calamity (MTC NEON/ZLMD Shakespeare), The Unspoken Word is Joe (MKA/La Mama/Griffin Theatre/Brisbane Festival), Madonna Arms (I’m Trying To Kiss You/Next Wave) and I Know There’s A Lot Of Noise Outside But You Have To Close Your Eyes (I’m Trying To Kiss You/LaMama/NIDA). As well as performing in much of her own work, she appeared in a world-ish tour of The Economist (MKA/World Theatre Festival/Edinburgh Fringe), for which she was nominated for a UK Stage Award for Best Actress. As director, she staged an all-female Romeo and Juliet at fortyfivedownstairs (ZLMD Shakespeare. She won the Melbourne Festival Discovery Award for The Unspoken Word is “Joe”

ACKNOWLEDGEMENTS

The Hive Collective’s 2021 season is supported by the Queensland Government through Arts Queensland and through the Creative Sparks Fund, a partnership between the Queensland Government and Brisbane City Council to support local arts and culture in Brisbane

VISITING US

We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility. Click here for more information. 

WHEN WE SPEAK: IN RECITAL WITH KATHERINE PHILP

WHEN WE SPEAK: IN RECITAL WITH KATHERINE PHILP

WHEN WE SPEAK: IN RECITAL WITH KATHERINE PHILP

Presented By Camerata in association with Metro Arts

By Camerata

Stunning music and visuals combine in this intimate recital performance.

When We Speak  re-casts our ideas of beauty, gesture and expression through 21st century music-making. Katherine Philp, Principal cellist of Camerata – Queensland’s Chamber Orchestra performs a solo recital of stunning, recently-written music, where electroacoustic and amplified sound effortlessly melds with film and animation. 

Lisa Cheney’s, When We Speak comments on broader issues surrounding gender inequality. The atmospheric soundscape interweaves the composer’s own musical language, includes Finnish composer Kaija Saariaho, as well as the live cellist’s expression and voice. 

 

 

DATES

3pm + 7pm, Sat 1 May

VENUE

New Benner Theatre
Metro Arts, West End

TICKETS

General Admission $42 + booking fee
Concession $35 + booking fee

Booking fee $0.50 per ticket purchased

DURATION

Approximately 60 minutes. No interval.

AGES + WARNINGS

Suitable for ages 15+. Please note – a lockout period applies. Latecomers may be admitted at a suitable break in the performance. 

THE ARTISTS

Principal cellist Katherine Philp

Cellist Katherine Philp’s work ranges from the classics, to cutting edge contemporary art music, as well as improvisation, arranging and composing. She is particularly interested in projects that engage in respectful intercultural collaboration, and actively supports the generation of new works by women and non-binary composers. She regularly appears in ensembles and as a soloist at many Australian festivals including the Australian Festival of Chamber Music, Tyalgum Festival, Bendigo International Festival of Exploratory Music, and the Woodford Folk Festival. Katherine’s performances and arrangements have been broadcast live and recorded for ABC Classic FM and ABC Radio National. She is currently Principal cellist of Camerata – Queensland’s Chamber Orchestra and maintains a busy and eclectic freelance career.

ACKNOWLEDGEMENTS

VISITING US

We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility. Click here for more information. 

ANATOMY OF A SUICIDE

ANATOMY OF A SUICIDE

ANATOMY OF A SUICIDE

By Alice Birch | Directed by Catarina Hebbard

Presented by Metro Arts and BC Productions Qld in association with e.g and Big Scary Animal

Three generations of women.

Three critical choices.

An intimate look at how love and trauma cascade through blood and time.

Ten actors on stage across three eras; this is a big story told intimately.

From the acclaimed UK playwright Alice Birch, comes this electrifying examination of love and trauma and their cascade through blood and time.

Across three generations of mothers and daughters, we live their love, loss, grief, laughter and ultimately death. This is a story of family, mental health, love, strong women, supportive men and so much more in between. 

Along the way Birch poses many questions and challenges, urging us to consider, where do genetics end and personal choice begin?

This Brisbane premiere, directed by Catarina Hebbard, follows seasons in London, New York and Sydney.

★★★★★ “A rich, haunting, technically dazzling script.” 
Time Out
★★★★★ ”Stunningly original.” 
Mail On Sunday
★★★★★ “Most productions require one viewing. Alice Birch’s spellbinding and serious new drama is worth three.” The Sunday Times

DATES

7:30pm, Tue 18 – Sat 29 May, 2021

Queer Community Night
6:30pm, Thu 27 May
Featuring keynote speech by renowned Brisbane author, Krissy Kneen, music by DJ Sweatybaby and spoken word poet, Boy Renaissance.

VENUE

New Benner Theatre
Metro Arts, West End

TICKETS

General Admission $42 + booking fee
Concession $35 + booking fee
Groups 6+ $35 + booking fee
Preview Tue 18 May $35 + booking fee

Booking fee $0.50 per ticket purchased

DURATION

1hr 45mins 

AGES + WARNINGS

Suitable for ages 15+. May contain coarse language, depictions of drug use and references to suicide / self-harm. Please note – a lockout period applies. Latecomers may be admitted at a suitable break in the performance. 

Image by Barbara Lowing November 2020 edited by Laura Bamford

Download the show program.

THE ARTISTS

Producers BC Productions QLD

Co-producers e.g. and Big Scary Animal

Director Catarina Hebbard

Assistant Director Oliver Hetherington-Page

Production Manager Laura Bamford

Stage Manager Angela Ponting

Lighting designer Christine Felmingham

Designer Raymond Milner

AV Design Jeremy Gordon

Sound Design Phil Hagstrom

Cast Rebecca Alexander, Elise Greig, Zoe Houghton, Danny Murphy, Astrid Wells Cooper, Tom Yaxley, Jodie Le Vesconte, Stephen Geronimos, Nikhil Singh, Triona Giles.

ACKNOWLEDGEMENTS

Proudly supported by Arts Queensland through the Queensland Arts Showcase Program and stART funding, Creative Partnerships Australia through the Australian Cultural Fund – MatchLab funding, Philip Bacon Galleries, PlayLab, Micah & Brisbane Powerhouse. 

VISITING US

We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility. Click here for more information. 

FERTILE GROUND

FERTILE GROUND

FERTILE GROUND

Presented by Metro Arts

By Ashleigh Musk and Michael Smith

We are here to witness our failing paradise.

Suspended in time, vulnerable bodies navigate a forest of cement. Landscapes shift, rise and crumble, as audience and performers move through avalanches of decay. Gritty transformations reveal spaces for hope and action.

With vivid choreography, Fertile Ground manipulates space, sound and a brutalist pile of concrete bricks in this ground-breaking participatory performance.

 
PLEASE NOTE

Fertile Ground  is a participatory performance which takes place in a construction site. We strongly advise Patrons wear closed-in flat shoes (no heels or thongs), and short skirts or dresses are not recommended. 

TACTILE EXPERIENCES

The Tactile Experiences give an opportunity for participants to experience key textural elements present in the performance of Fertile Ground through a series of actions which explore weight, touch and vibrations. If attending one of the Tactile Experiences, we strongly recommend also purchasing tickets to see Fertile Ground

We recommend arriving no later than 15 minutes prior to the start time of the performance or tactile experience, as latecomers CANNOT be admitted under any circumstance. 

DATES

Tue 25 – Sat 29 May, 2021

Performances:
7:30pm, 25 – 28 May 2021
1pm + 7:30pm, 29 May 2021

Tactile Experiences: 
6:30pm, 27 May 2021
12:00pm, 29 May 2021

AUSLAN Interpreted sessions:
Performances and Tactile Experiences on Thu 27 + Sat 29 May will be AUSLAN Interpreted. 

VENUE

Secret location in West Village
Meet at Metro Arts’ Box Office

TICKETS

General Admission $35 + booking fee
Concession $25 + booking fee
Groups 6+ $25 + booking fee
Preview Tue 25 May $25 + booking fee

Booking fee $0.50 per ticket purchased

DURATION

65 mins 

AGES + WARNINGS

Recommended for ages 15+. Performance includes loud noises and dust.

Image by Pierce Eldridge

THE ARTISTS

Choreographer / Performer Ashleigh Musk
Choreographer / Performer Michael Smith
Sound Composition and Design Anna Whitaker
Dramaturge Liesel Zink
Access Consultant Daniele Constance
Access Collaborators Rachael Missingham, Lauren Watson
Auslan Interpreter Adele Greedy-Vogel
Lighting Design Chloe Ogilvie
Costume Design Jessica Palfrey

ACKNOWLEDGEMENTS

Fertile Ground  has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.

Fertile Ground  was developed with Dancenorth in 2020, supported by LGI through a studio residency at WXYZ studios, HOTA, Home of the Art and through an Ausdance QLD and Australiasian Dance Collective Four Walls Residency and an Ausdance QLD Public Space and Participation Residency.

VISITING US

We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility. Click here for more information.