OPEN ACTIONS

OPEN ACTIONS

Open Actions is a weekend arts program centred around six participatory artworks that will reveal and revel in the richness of the Enoggera Reservoir. 

Local contemporary artists, Aishla Manning, Anthony Baker, Aurora Christie, Guyala Bayles, Joella Warkill, Keemon Williams, Kylie Spear, and Primitive Motion (Sandra Selig & Leighton Craig) have created new work to respond directly to the location and engage with the surroundings in a dialogue that reflects on our relationship to water, its health and cycle, use and management.

Cement mixers filled with rushing water, dingos guarding the dam, a mini water slide for giant ice cubes, bushwalks with poets, an immersive soundtrack and exclusive album release, the day-long art experience will be something a little bit different and a little bit wonderful for folks of all sorts and ages to engage with and enjoy.

In addition to the art, the Open Actions’ Hub will offer visitors a place to chill out thanks to new furniture designs from local design studio, Five Mile Radius, and tunes inspired by the dam from local creative, Joseph Burgess.

Artworks Open
10.00am – 6.00pm Saturday 16 + 17 November 

Opening Event and performance by Primitive Motion
3.30pm – 5.00pm Saturday 16 November

Additional Primitive Motion Performance
7.30am Sunday 17 November

This event is free and family-friendly.

Open Actions is presented as a part of Brisbane City Council’s Temporary Art Program 2019, this project has been produced by Metro Arts and people+artist+place, with indigenous curators Blaklash Projects and made possible through the support of Seqwater. This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.

We acknowledge and honour all First Nations People, in particular, the Traditional Owners of the central Brisbane area, the Jagara and Turrbal nations. These people are the custodians of the land on which Open Actions will take place, and as such we would like to pay our respects to their elders – past, present and emerging.

WHERE

Enoggera Reservoir
(60 Mt Nebo Road)

WHEN

16 – 17 November 2019

KEY CREATIVES

Artists: Aishla Manning, Kylie Spear, Anthony Baker, Keemon Williams, Primitive Motion, Aurora Christie-Liddle, Guyala Bayles & Joella Warkill. 
Producers: people+artist+place & Metro Arts
Presenters: Brisbane City Council
Curators: Blaklash Projects
Photographer: Dave Kan Photography

THE ARTISTS

people+artist+place

people+artist+place is a new arts initiative that aims to stimulate and support the production of socially-engaged, participatory and site-specific art in Brisbane. Facilitating projects that expand community perceptions of art in public space, they embrace the ability contemporary art has, to enhance, critique and celebrate the places we live in. 

Producing innovative and accessible projects in the public realm, they strive to connect diverse audiences with artists and their work. They do this by delivering unique experiences, and providing professional development opportunities to local artists. Through doing this they hope to build a community of artists who feel confident to work alongside communities to develop compelling creative projects. 

They are passionate about Brisbane harnessing art as a tool to better understand its identity, the histories that have brought us to today, and the futures we’re planting now.  They believe this type of experience to be a positive force in fostering healthy minds, communities and urban environments. Research shows that projects of this nature deliver many economic, social, environmental and cultural benefits. 

www.peopleartistplace.com/

Aishla Manning

Aishla Manning is an interdisciplinary artist, working mainly with time-based media and assembled objects, using play to explore tensions and absurdity of the everyday. Aisha’ most recent project was a participatory installation, ‘Work Party’, presented at Outer Space (2019). Aishla has also exhibited extensively in Queensland including at Kunstbunker ARI (2018), CLUTCH X Outer Space (2017), The Institute of Modern Art’s Green Screen (2016), as well as interstate at Testing Grounds (Melbourne, 2017), Gaffa Gallery (Sydney, 2017), Bus Projects (Melbourne, 2016) and Feltspace’s Feltdark (Adelaide, 2016).

Kylie Spear

Kylie Spear is a Brisbane artist who uses time-based media and installation to articulate and interrogate remembered experiences. She collaborates with other artists, musicians and makers to develop works that question perception and consider overlappings between objective truth and fiction. By gathering and reimagining fragments of memories (real or constructed) she creates shared physical spaces for collective and critical reflection. Kylie is a contemporary artist based in Brisbane. She studied at the Queensland College of Art, graduating with First Class Honours in 2012. Kylie was a founding member and co-Director of The Hold Artspace from 2012 – 2015. She has exhibited nationally and overseas, and undertaken collaborative residencies within Australia. Her work is held in private collections around the country.

Anthony Baker

Anthony Elliott Baker’s sculptural practice is a way in to exploring space and its affect. Not only physical spaces, social, psychic and digital. Using various processes and media, both malleable and digital Baker ruptures experience and subverts expectations in playful, dissociating ways which can be as disconcerting as engaging and immersive. Fragmented self-referential ideas are regenerated through creative processes becoming ambivalent art encounters which value a decentering and discerning of the reciprocates own subjectivities and autopoiesis. Baker uses site, found objects and materials, fabrication, new-media, interaction and performance. Anthony is currently a PhD candidate based in Brisbane.

Keemon Williams

Keemon Williams is an emerging Brisbane based artist of Meriam Mer, Kuku Yulangi and Koa descent. A multidisciplinary artist, he utilizes a range of mediums and performative elements to explore the conflicts between his personal self, and the Aboriginal, Torres Strait Islander and European heritage beneath it. Having grown up experiencing limited cultural integration, his indigeneity and the question of its validity plays an important part in the rationale he uses to devise works.  Receiving a formal education specializing in western European practices, he utilizes these techniques in the context of contemporary aboriginality. He seeks to interrogate realms of domestic architecture, film, popular culture and consumer goods, recontextualising them through indigenous reconstructions. Since he hasn’t founded his practice in deeply rooted aboriginal tradition, Williams makes use of the historical and interpersonal contexts of life in Australia to redefine the standardised cultural experience as one that reflects its first nations people.

Primitive Motion

Primitive Motion is the collaborative project of artists Sandra Selig and Leighton Craig. Over the past decade they have recorded an extensive body of work, with five albums released to date of their dream-float musical dialogue. Their “House in the Wave” LP (2018) was included in The Guardian’s Australian albums of the year and long-listed for the Australian Music Prize. They have exhibited their collaborative visual/audio work, with the major work ‘Special Mechanism for Universal Uncertainty’ included in ‘Before and After Science’ in the 2010 Adelaide Biennial of Australian Art, Art Gallery of South Australia. The work was subsequently acquired by the Buxton Collection, Melbourne. As a live entity, Primitive Motion’s performances range from fuzzy motorik songs to extended ambient/improvised pieces and video projection. They have performed with a number of touring international artists, including God Speed You Black Emperor, Mercury Rev and Deerhoof. In 2017 they improvised a live film score (with Ross Manning) for the silent classic The Passion of Joan of Arc (C.T.Dreyer) at the Institute of Modern Art, Brisbane and gave a surround-sound live performance within an exhibition by Rosslynd Piggott at Milani Gallery in 2018. They have more recently performed outdoor improvisations responsive to the natural environment, including at ‘Why Listen to Plants’, Mt Coot-tha Botanic Gardens 2018 and ‘Botanica’, City Botanic Gardens, Brisbane 2019.

Aurora Christie-Liddle

Aurora Liddle-Christie is a Jamaican and First Nations, Arrernte multidisciplinary artist. In 2017 Aurora graduated with a Bachelor of Fine Arts Drama from Queensland University of Technology. Her practice draws on the experience of People of Colour and Australia’s First Nations Peoples at the intersection of community, activism, spirituality and connection to country. She explores this through the mediums of spoken word, performance, playwriting, singing and songwriting. Aurora has worked locally and statewide with a number of Brisbane based arts organisations such as, Digi Youth Arts, Queensland Music Festival, People+Artist+Place, Blaklash, Zen Zen Zo, Conscious Mic and Voices Of Colour.

Guyala Bayles

Guyala Bayles is a 20yr old Birri Gubba and Wonnarua model and poet, born in Brisbane. Guyala was raised in a politically active family and continues this legacy which has been passed down from generation to generation. Guyala uses her public platform to shed light on issues affecting First Nations people and powerfully expresses her self through spoken word. Be captivated by Guyala’s presence as she gives you an insight of what it’s like growing up in Australia as a young First Nations woman.

Joella Warkill

Joella is a proud First Nations and South Sea Islander woman. Reigning from ancestors of Pentecost and Ambrym Islands in Vanuatu, and the Yidinji people in Far North Queensland – she often writes/speaks to empower, heal and represent those who see themselves in her stories. Joella is an undergraduate student studying a Bachelor of Creative Industries and Bachelor of Human Services, majoring in Creative Writing at QUT. She also works at BlakDance, the peak body for Indigenous Dance in across these many nations, and when she is not working or studying she can often be found performing poetry around Brisbane, sometimes with Digi Youth Arts – a not-for-profit arts organisation that shares the stories of Aboriginal and Torres Strait Islander young people.

ACKNOWLEDGEMENTS

Open Actions is presented as a part of Brisbane City Council’s Temporary Art Program 2019, this project has been produced by Metro Arts and people+artist+place, with indigenous curators Blaklash Projects and made possible through the support of Seqwater. This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.

We acknowledge and honour all First Nations People, in particular, the Traditional Owners of the central Brisbane area, the Jagara and Turrbal nations. These people are the custodians of the land on which Open Actions will take place, and as such we would like to pay our respects to their elders – past, present and emerging.

BETWEEN THE RIVER AND THE CLIFF

BETWEEN THE RIVER AND THE CLIFF

BY SUSAN HAWKINS

In Between the River and the Cliff, artist Susan Hawkins asks us to clamber upon the past to consider the present. A collection of interactive sculptural pieces made from decommissioned telecommunication equipment, parabolic dishes sit ready to translate human interactions into aural transmissions. The work has been inspired by the transformation of Howard Smith Wharves from a place of industry and labour, to recreation and leisure and seeks to weave our activities of today back into the histories that preceded us.

Join us at the Artist Talk and Poetic Response to learn about the development of the work from the artist Susan Hawkins, and hear a poetic response from Kate Woodcroft.

WHERE

Howard Smith Wharves (East Lawn)
5 Boundary Street, Brisbane City

WHEN

11 – 13 October 2019, 10am – 10pm 

Artist Talk & Poetic Response / 12 October, 5 – 6pm

KEY CREATIVES

Artist: Susan Hawkins
Producers: people+artist+place and Metro Arts

THE ARTISTS

Susan Hawkins

Born in Gunnedah NSW, Susan Hawkins is an interdisciplinary artist with a playful and process-oriented practice. Working with reclaimed industrial and domestic objects, her process tests their physical and metaphysical limits. This method leads her to question her position as both a producer and consumer, highlighting the broader social and environmental implications of consumer culture.  More recently Susan has been exploring the sound potential of objects and the human body’s reaction to it. Relying on the materials to speak their own truth, her work explores how dualities—such as the old and the new,  the human and inhuman—play out in action. 

Susan received a Bachelor of Fine Art from Queensland College of Art in 2014, majoring in sculpture, jewellery and small objects. She has been a finalist in several prestigious prizes, including the Gas Award at Griffith University Art Museum. Susan was awarded the 2019 New South Wales Art Gallery, Moya Dyring studio residency at Cite Internationale des Arts Paris. Museum of Brisbane recently commissioned Susan to create a new work for Brisbane Art and Design. She has also exhibited solo works at Blind Side in Melbourne and Metro Arts, Outer Space, Wreckers Art Space and Milani Gallery, Brisbane. 

people+artist+place

people+artist+place is a new arts initiative that aims to stimulate and support the production of socially-engaged, participatory and site-specific art in Brisbane. Facilitating projects that expand community perceptions of art in public space, they embrace the ability contemporary art has, to enhance, critique and celebrate the places we live in. 

Producing innovative and accessible projects in the public realm, they strive to connect diverse audiences with artists and their work. They do this by delivering unique experiences, and providing professional development opportunities to local artists. Through doing this they hope to build a community of artists who feel confident to work alongside communities to develop compelling creative projects. 

They are passionate about Brisbane harnessing art as a tool to better understand its identity, the histories that have brought us to today, and the futures we’re planting now.  They believe this type of experience to be a positive force in fostering healthy minds, communities and urban environments. Research shows that projects of this nature deliver many economic, social, environmental and cultural benefits. 

www.peopleartistplace.com/

ACKNOWLEDGEMENTS

This project is presented by Brisbane City Council’s Temporary Art Program 2019, produced by Metro Arts and people+artist+place.

EVENING LIGHTS

EVENING LIGHTS

BY ELISA JANE CARMICHAEL

As the sun goes down, the pavement along King Street will light up with new artwork created by Ngugi woman Elisa Jane Carmichael, inspired by the poetry of Aboriginal writer Oodgeroo Noonuccal. It explores dusk and the element of fire as well as her own cultural identity and heritage.

Discover the work through an evening stroll along King St, or join us for a tour, performance or workshop. For more details, see below.

Evening Lights Installation / 5pm – 10pm, 15 – 28 September 2019 / King St, Bowen Hills

Evening Lights Exhibition / 9am – 5pm, 15 – 28 September 2019 / Machinery Street Gallery, Machinery Street, Bowen Hills 

Guided Tour with the Curators / 6pm Monday 16 & 23 September / King St, Bowen Hills (begin out the front of Rydges)
Join Blaklash Projects, the curators of the Evening Lights activations and hear insights into the development of the artworks. Discover stories from the artist, local history and Indigenous knowledge that is embedded in the work. The tour will be a short walk (under 500m) to see each of the lights.

Poetry by Light  / 6pm Wednesday 18 & 25 September / King St, Bowen Hills (begin out the front of Rydges)
Hear from Indigenous spoken word artists as they recite old and new poetry inspired by theEvening Lights installation. This performance will take place in and around the lights and will guide you along King Street to see the full series of lights.  

Circles of Reflection Workshop / 5-6pm Saturday 21 September / Alexandria Park, Bowen Hills. 
Create your own take-home hanging light mobile. Inspired by the Evening Lights installation, participant get to design and create their very own art piece to hang in the daylight or lit up withlight at night. The workshop is for ages 15+ and will include a short walking tour.  

Circles of Light Workshop (for kids) / 5-6pm Saturday 21 September / Alexandria Park, Bowen Hills. 
Children will be able to create their own portable light artwork to take along the walking tour of theEvening Lights installation. Equipped with a pocket torch, participants can design and make interchangeable lenses to let their artistic talent shine. For ages 8 – 12 years. All participants must have a parent or guardian present throughout the entire duration of the workshop.

WHERE

King Street, Bowen Hills

WHEN

15 – 28 September 2019

KEY CREATIVES

Artist: Elise Jane Carmichael
Producers: people+artist+place & Metro Arts
Presenters: Brisbane City Council, Brisbane Festival & King Street
Curators: Blaklash Projects

THE ARTISTS

people+artist+place

people+artist+place is a new arts initiative that aims to stimulate and support the production of socially-engaged, participatory and site-specific art in Brisbane. Facilitating projects that expand community perceptions of art in public space, they embrace the ability contemporary art has, to enhance, critique and celebrate the places we live in. 

Producing innovative and accessible projects in the public realm, they strive to connect diverse audiences with artists and their work. They do this by delivering unique experiences, and providing professional development opportunities to local artists. Through doing this they hope to build a community of artists who feel confident to work alongside communities to develop compelling creative projects. 

They are passionate about Brisbane harnessing art as a tool to better understand its identity, the histories that have brought us to today, and the futures we’re planting now.  They believe this type of experience to be a positive force in fostering healthy minds, communities and urban environments. Research shows that projects of this nature deliver many economic, social, environmental and cultural benefits. 

www.peopleartistplace.com/

ACKNOWLEDGEMENTS

This project is presented as a part of Brisbane City Council’s Temporary Art Program 2019, and included in Brisbane Festival’s 2019 program. Evening Lights has been produced by Metro Arts and people+artist+place, curated by BlakLash Projects and made possible through the support of King Street, Lendlease, Gilimbaa and the artist’s gallery, Onespace. 

BACKYARD RECKONING

BACKYARD RECKONING

BY SALLY MOLLOY

Backyard Reckoning is an invitation to contemplate deeply – perhaps for the first time perhaps for the hundredth – your personal relationship to originary and ongoing colonisation. This work is an audio experience that will invite you to sit patiently with your feelings, your understandings, your misapprehensions, your confusion, your prejudice, or resistance – and feel. It is an invitation to consider the colonising process as serious and ongoing. It is an invitation to take colonisation personally. The work weaves together local histories, observations, anecdotal and allegorical fragments, quotes, samples and sound-illustrations in an inviting and intriguing recording designed to facilitate gentle reckoning.Put on a pair of headphones, get settled, and let Backyard Reckoning take you on a thoughtful, at times playful, at times sorrowful exploration of ideas surrounding place, identity, and colonial history.

WHERE

West Village
97 Boundary Street, West End

WHEN

12 July 2019, 5pm – 9pm
13 – 14 July 2019, 10am – 3pm

KEY CREATIVES

Artist: Sally Molloy
Producers: people+artist+place and Metro Arts

THE ARTISTS

Sally Molloy

Sally Molloy is an artist based in Brisbane, Queensland. Her practice is concerned with interrogating her relationship to place and critiquing the colonial legacy that shaped/s her white suburban social reality. Orbiting around conceptual terrains of whiteness studies, notions of the (never quite post) colonial, and the problematical Australian landscape tradition; her work is often awkwardly humorous and fused with an uneasy reverence. Sally works across disciplines such as painting, video, sculpture, composition, needlework, collage, and poetry, often questioning the implied hierarchy of media with her naïve aesthetic and enthusiasm for play. Sally is a current PhD candidate at the Queensland College of Art where she is exploring her relationship to the stolen Indigenous lands she inhabits, and loves.

people+artist+place

people+artist+place is a new arts initiative that aims to stimulate and support the production of socially-engaged, participatory and site-specific art in Brisbane. Facilitating projects that expand community perceptions of art in public space, they embrace the ability contemporary art has, to enhance, critique and celebrate the places we live in. 

Producing innovative and accessible projects in the public realm, they strive to connect diverse audiences with artists and their work. They do this by delivering unique experiences, and providing professional development opportunities to local artists. Through doing this they hope to build a community of artists who feel confident to work alongside communities to develop compelling creative projects. 

They are passionate about Brisbane harnessing art as a tool to better understand its identity, the histories that have brought us to today, and the futures we’re planting now.  They believe this type of experience to be a positive force in fostering healthy minds, communities and urban environments. Research shows that projects of this nature deliver many economic, social, environmental and cultural benefits. 

www.peopleartistplace.com/

ACKNOWLEDGEMENTS

This project is presented as a part of Brisbane City Council’s Temporary Art Program 2019, produced by Metro Arts and people+artist+place.

WHERE ARE YOU FROM?

WHERE ARE YOU FROM?

BY SHELLEY CHENG

Where are you from? by Brisbane artist Shelley Cheng is an interactive art installation to be hosted at Queensland University of Technology (QUT) as part of its Harmony Day program on 21 March. The installation explores the violence of racism, specifically in microaggressions and positive stereotyping experienced by East Asians.

Audiences will sit at yum cha tables to share and partake in fortune cookies which contain much more than a proverb.

The artist says use of the fortune cookie carries a heavier meaning: “despite not being a Chinese invention, they have been imposed on Chinese people as something quintessential Chinese”.

“The racism and microaggressions we experience are what we inherit from inhabiting racialised bodies. That’s our fortune,” she says.

The installation will be located to QUT Gardens Point on the lawn adjoining the Goodwill Bridge and is available for public viewing from Thursday evening through till Saturday.

WHERE

QUT Gardens Point, Lawn 
(Near entrance to the Goodwill Bridge and Riverstage)

WHEN

21 March 2019, 4pm – 7pm
22 & 23 March 2019, 10am – 6pm

KEY CREATIVES

Artist: Shelley Cheng
Producers: people+artist+place and Metro Arts

Image by Jade Millman

THE ARTISTS

Shelley Cheng

Shelley Cheng (20) is a multi-disciplinary artist who lives on the stolen Aboriginal land of the Jagera and Turrbal peoples. Her work draws from her experience of diaspora. She has exhibited throughout Brisbane in local cafes, shops, pop-up art spaces and artist-run initiatives. Shelley’s art also appears in political campaigns, community events, and fundraisers. She is currently undertaking an artist residency through Visible Ink while completing her undergraduate studies at QUT in Law (Honours)/ Journalism. She is interested in abolition, critical race theory and transformative justice.

people+artist+place

people+artist+place is a new arts initiative that aims to stimulate and support the production of socially-engaged, participatory and site-specific art in Brisbane. Facilitating projects that expand community perceptions of art in public space, they embrace the ability contemporary art has, to enhance, critique and celebrate the places we live in. 

Producing innovative and accessible projects in the public realm, they strive to connect diverse audiences with artists and their work. They do this by delivering unique experiences, and providing professional development opportunities to local artists. Through doing this they hope to build a community of artists who feel confident to work alongside communities to develop compelling creative projects. 

They are passionate about Brisbane harnessing art as a tool to better understand its identity, the histories that have brought us to today, and the futures we’re planting now.  They believe this type of experience to be a positive force in fostering healthy minds, communities and urban environments. Research shows that projects of this nature deliver many economic, social, environmental and cultural benefits. 

www.peopleartistplace.com/

ACKNOWLEDGEMENTS

This project is presented as a part of Brisbane City Council’s Temporary Art Program 2019, produced by Metro Arts and people+artist+place, and made possible through the support of QUT Life and Curiocity.