By Shane Anthony and Ensemble

Presented by Chopt Logic and Metro Arts

A voice for the voiceless – verbatim text blends with physical theatre in this ode to human resilience.

In 2019, the NSW Parliament reopened the NSW Parliamentary Inquiry into Gay and Transgender hate crimes between 1970 and 2010 to delve into the state’s history of violence and persecution against LGBTQI Australians.

In this landmark production, Shane Anthony and his ensemble draw on the words of the victims’ family members, witnesses, historians, police officers, journalists and researchers, to create a searing and unapologetic look at how cultural prejudice and bias have contributed to violence against gay and transgender people in Australia.

★★★★  “A powerful production that howls for justice for the victims of LGBTQIA hate crimes.” Time Out
★★★★ “Utterly riveting theatre… Heartfelt, cerebral, entertaining, shocking and, one would hope, a shifter of society’s tectonic plates” Stage Noise 


7:30pm, Thu 22 – Sat 31 July, 2021


New Benner Theatre
Metro Arts, West End


General Admission $42 + booking fee
Concession $35 + booking fee
Groups 6+ $35 + booking fee
Preview Thu 22 July $35 + booking fee

Booking fee $0.50 per ticket purchased


Approximately 70 minutes. No interval. 


Suitable for ages 15+. Contains coarse language, adult themes and sexual references. Please note – a lockout period applies. Latecomers may be admitted at a suitable break in the performance.


Images by Jasmin Simmons.


Director / Co-Producer Shane Anthony
Co-Producer Alison Bennett – Co-Producer
Set And Costume Designer Veronique Benett
Composer Damien Lane
Sound Designer Nate Edmondson
Production / Stage Manager & Lighting Designer Richard Whitehouse
Cast Timothy Walker, Cassie Hamilton, David Helman, Eddie Orton, Ross Walker, Andrew Fraser

Director / Co-Producer Shane Anthony
Shane Anthony is a multi-award nominated and winning director, dramaturg and movement coach, working throughout Australia and internationally. Select directing credits include Ulster American by David Ireland, Our Blood Runs in the Street by Chopt Logic and the ensemble, Anatomy of a Suicide by Alice Birch (nominated for four Sydney Theatre Awards), The Whale for Redline Productions at The Old Fitz Theatre (nominated for eight Sydney Theatre Awards in 2016), Lighten Up by Nicholas Brown and Sam McCool at Griffin Theatre, Songs for the Fallen for the New York Musical Theatre Festival (winner of Best Musical), Sydney Festival, Arts Centre Melbourne and Brisbane International Arts Festival, Altar Boyz, Calendar Girls and Avenue Q for Fortune Theatre (New Zealand), My Name is Rachel Corrie for La Boite Theatre, 3 Winters by Tena Štivičić, Love and Information by Caryl Churchill for NIDA, Mrs Bang: A Series of Seductions for the 32nd Stage Song Festival (Poland), Often I Find That I Am Naked for Critical Stages (Australian National Tour), Motortown by Simon Stephens for 23rd Productions (nominated for four Matilda Awards). Movement direction includes The Curious Incident of the Dog in the Nighttime for The Court Theatre in Christchurch, Angels in American for The New Theatre, Small Mercies for La Boite Theatre, movement consultant on the feature film, Sleeping Beauty, and as show director for CIRCA on their European tour of CIRCA. He is a graduate of the Directing Program at the National Institute of Dramatic Art, and Screenwriting for Feature Film at the Australian Film, Television and Radio School. In 2007 he travelled to New York to continue training with Anne Bogart and the Saratoga International Theatre Institute. In 2012 he received a Mike Walsh Fellowship to study filmmaking in NYC and in 2015 was the recipient of an Anna Sosenko Fellowship to return to NYC with Songs for the Fallen.

Co-Producer Alison Bennett – Co-Producer
Alison is a performer and director with an interest in highly physical and visual performance making. As well as working as a freelance performer, she is the Artistic Director of Hurrah Hurrah, a company that creates collaborative theatre with a focus physical approaches to creation. With Hurrah Hurrah she has directed TRADE (Bakehouse Theatre Adelaide/The Old 505 Theatre Sydney) The Seagull (in collaboration with The Rock’s Pop Up Project) and Eugene Ionesco’s Frenzy for Two (9 month residency at Sydney’s Woolahra Council). Hurrah Hurrah’s newest creation, Roomba Nation previewed in Sydney in 2018. As an actor and performer, Alison has most recently been seen in Join the Dots (Sydney Festival/Sydney Opera House & Ota City Museum Japan) Zelos (Painted Gate Pictures), TROUPE (by Dream Time Films, commissioned by the Bestival Music Festival UK w), DIG (France) as well as This is Not Mills and Boon (Glorious Thing Theatre Co), Roadkill Confidential (Lies,Lies & Propaganda), Macondo’s Clothesline (NIDA Independent) & The Magic Hat (Drop Bear Theatre). She is also a performer with the Leftovers Collective and performs regularly at festivals and events.


Our Blood Runs in the Street was developed with the assistance of Metro Arts and NIDA Open Pilot Program with creative development residencies in 2019. The company acknowledge ACON, City of Sydney, Red Line Productions, Sydney Actors School and Star Casino for their generous support in the development of this production and thanks Pride Foundation Australia for their support of this tour.


We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility. Click here for more information.