About Us

Metro Arts is Queensland’s home for artist development in contemporary and experimental practice.

For over forty-five years, we have supported artists to test ideas, challenge conventions and create work that expands what art can be. Across our  theatre, galleries and performance studios at West Village; and our workshop and visual artist studios at Norman Park, we develop and present work by artists in all contemporary artforms and new ones still emerging.

Experimentation and diversity are essential for culture to evolve.

New ideas need room for exploration before they can be refined. Artists need places where risk is valued, where failure is understood as part of the process, and where challenging questions can be pursued without the pressure of immediate certainty or commercial return.

This commitment shapes everything we do. We support artists that are curious, rigorous and engaged with the questions of our time. We celebrate difference in all its forms and believe that culture grows stronger when diverse artists, perspectives and practices are supported. This includes artists from across cultural and economic backgrounds, those experiencing disability and First Nations artists.

Rigorous artist development is our core business.

Through residencies, research, and professional development opportunities, we create the conditions for artists to deepen their practice and build sustainable careers. 

We are equally committed to presenting a bold and rigorous public program. Artist development and public presentation are part of the same process, creating opportunities for artists to test work, build audiences and advance their practice. We champion independent artists and embrace our role as a trusted collaborator, providing the resources, expertise and advocacy needed to achieve creative and economic freedom.

Our unique role in Queensland’s cultural landscape.

Generations of artists have passed through our doors on their way to shaping contemporary Australian culture. The history of Metro Arts is woven through the history of Queensland, evident in the artworks, careers and cultural leadership that continue to shape not only our state’s identity, but the legacy of Australian arts practice.

Today, we remain equally committed to the next generation, supporting emerging artists through transformative processes to build deep roots here and collaborations around the world.

At Metro Arts, every breakthrough starts as an experiment.
Every career starts with an opportunity.
Every artistic journey starts at home.

ART STARTS HERE.

OUR BOARD

Tara Hastings

Tara Hastings, GAICD

Chair
Open Bio

Tara has over 20 years’ experience practising law and runs her own consultancy, primarily providing commercial and governance advice to a range of clients. Prior to this Tara was a General Counsel for a number of commercial and government organisations including Racing Queensland, TAFE Queensland, Cricket Australia and Ramsay Health Care UK. Tara is also a Director of the Gold Coast Turf Club.

Tara has an equal love and passion for arts and sport and regularly attends both. Having lived 8 years in London, Tara has been lucky enough to experience theatre, arts and cultural events not only in Australia but in the UK, Europe and America. She believes strongly that the arts is a critical part of the make up of a society and community that needs to be valued, protected and promoted.

Paul Bowker

Director
Open Bio

Paul is a lawyer and CFO with an extensive background in corporate governance, equity markets and complex commercial transactions.

Alongside his current role as co-founder and Managing Director of Brick Lane Brewing, one of Australia’s largest independent breweries, Paul has held executive level roles in ASX listed companies, regulatory bodies and worked as a lawyer internationally for major law firms.

Paul has a passion for music and the arts and through his current executive role supports a number of music and arts initiatives across Australia. Paul is also involved and a supporter of the hospitality and events sector and as a side interest is currently completing a Diploma in Wine.

Naomi Blacklock

Naomi Blacklock

Director
Open Bio

Naomi Blacklock is an artist based in Meanjin (Brisbane), Australia whose practice maps the nexus of embodied performance, cultural heritage and gender identity. Working across a range of media, from experimental sound and video installation to performance and sculpture, her work creatively examines the mythologies, archetypes and harmful histories of gender and cultural identity through an intersectional feminist lens.

In 2019 Naomi was awarded her Doctorate of Philosophy from Queensland University of Technology for her thesis Conjuring Alterity: Refiguring the Witch and The Female Scream in Contemporary Art. Her work has been presented at Hobart’s Art Festival, Dark Mofo and in numerous Galleries and Artist-Run Initiatives both locally and nationally. With broad experience in the Visual Arts sector, Naomi is a current Board Member of Metro Arts and has served as the Director of Boxcopy Contemporary Art Space and a Founding Co-Director of Clutch Collective ARI (2016).

Natano Fa’anana

Director
Open Bio

Natano is a creative producer and director with over 17 years of experience in the performing arts industry, drawing inspiration from his Samoan roots and culture. Natano has achieved international recognition and awards for his work as a multifaceted artist, collaborating with renowned companies and festivals in various genres and formats.

Currently, Natano is the Executive Producer at Moogahlin Performing Arts, a company that solely and specifically produces and supports First Nations work on Gadigal country in Redfern N.S.W. He is also a co-director and creative producer of Casus Creations, a contemporary multidisciplinary company that creates works that showcases a spectrum of genres and diverse artists. Additionally, Natano is a co-founder of Briefs Factory International, a collective of bold and diverse artists who produce cutting-edge cabaret and theatre.

Natano’s mission is to diversify the theatre industry through cultural protocol and practice, and to empower and celebrate the voices and stories of marginalized communities.

Katherine Hoepper

Director
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Katherine has over 25 years’ experience working with performing arts companies, festivals, independent artists and venues in Australia, and is currently Director, Activation at State Library of Queensland where she leads the curation of public programs and venue activation. Katherine is a non-executive director of not-for-profit arts organisations Metro Arts and Dead Puppet Society.

Katherine is an experienced producer of theatre and new work, having led the Programming Department of Queensland Theatre Company in the development and delivery of small- and large-scale new work, regional touring, and the establishment of a sector-leading youth and education program from 2010-15.

From 2015-2019 she was Executive Director of Queensland’s oldest continuously-running theatre company La Boite where she championed collaboration with the independent sector. As Programming Director at Brisbane Powerhouse, Katherine worked closely with local artists and arts companies to deliver a vibrant performing and visual arts program during the COVID-19 crisis.

Katherine is passionate about the essentialness of the arts and storytelling in strengthening culture, community and social cohesion.

Sarah Neal

Director
Open Bio

Sarah Neal is a creative producer, curator and writer with an extensive career in arts leadership, executive commissioning, festival programming and producing. As Executive Producer and Co-CEO of Melbourne’s Malthouse Theatre, Sarah was responsible for commissioning, producing and touring both large- and small-scale productions with Australian and international artists and companies, including the National Theatre of China and Royal Lyceum Theatre Edinburgh.

As Head of Programming for Brisbane Powerhouse, Sarah created and curated a range of multi-arts festivals including World Theatre Festival and Brisbane Comedy Festival. She has contributed to numerous panels, boards and juries in Australia and overseas, including Australia Council’s Theatre Board, and juries for the Berlinale and Cannes Film Festivals. Sarah was selected for Kings College London’s inaugural ‘Leading Culture in the 21 st Century’ Executive Leadership program and Social Impact Leadership Australia’s program for CEOs of for-purpose organisations. Her independent projects span film and literature, and her graduate studies include a Master of Arts in Creative Writing and Oxford University’s Creative Writing Summer School.

Wendy Peard, FCPA, MBA

Director
Open Bio

Wendy is a CFO and finance executive with over 30 years’ experience across international businesses, from bulk commodities trading, to banking, energy and technology. She has held senior finance roles in Australia, the UK and the US, including with JP Morgan Chase in New York and BP in London.

Her financial leadership covers areas including management and statutory reporting, planning, strategy, treasury, policy, people and governance. She brings financial discipline that supports the long-term health of the organisations she serves. Wendy brings this experience to the Metro Arts Board, along with a keen interest in supporting its creative purpose.

Wendy has loved theatre for as long as she can remember. She has a strong passion for the arts and a deep appreciation for the talented individuals and teams who bring stories to life and who take bold risks every day to connect with their audiences. Her favourite place to be is at the theatre.

Wendy holds a Bachelor of Commerce from the University of Queensland and a Master of Business Administration from Deakin University, Melbourne, and is a Fellow Certified Practising Accountant (FCPA).

Naomi White

Director
Open Bio

Naomi White is an executive advisor and mentor with more than 25 years’ experience in leadership, strategy, organisational transformation, and people and culture. Prior to founding her advisory practice, she spent a decade at Suncorp in senior executive roles across people, culture and transformation, including helping lead the cultural transformation of Suncorp Bank during a period in which it was recognised as Money Magazine’s Bank and Business Bank of the Year. Since 2018, through Naomi White Advisory, she has advised Board Chairs, CEOs and senior leaders across corporate, government, sport and not-for-profit sectors on leadership, culture, strategy and complex organisational change.

Naomi has a longstanding interest in creativity, culture and the role the arts play in challenging perspectives and expanding what we imagine is possible. Creativity has been a thread throughout her own work, particularly in finding new ways through complex problems and creating the conditions for fresh thinking in organisations. She brings this curiosity, together with her experience in leadership and transformation, to the Metro Arts Board and its creative community.

MEET THE TEAM

Kieran Swann

Chief Executive Officer
Open Bio

Kieran Swann is CEO of Metro Arts, Brisbane’s home for contemporary and experimental practice and artist development. As a curator and producer, he has spent nearly twenty years working across and between artforms; gallery-based exhibitions, public art, performance, social practice, co-creation – dedicated to art that creates spaces for relief and resilience; provokes change and exchange; and demonstrates care, generosity, and beauty.

Previous roles include Senior Curator for Create London, commissioning bold, radical, and socially-engaged art and architecture that is woven into the fabric of everyday life across East London; Head of Live Programme for Wellcome Collection, a London museum focused on the intersection of art and health; Head of Programme for Arnolfini, Bristol’s international centre for contemporary arts; and Program Producer for Theatre Network Australia, the nation’s leading advocacy organisation for the performing arts. He has also worked on festivals and projects with Collective Cymru, National Theatre Wales, Portland Institute of Contemporary Art, Performance Space New York, Danspace Project, and Venice International Performance Art Week.

Shani Gould

Operations Manager
Open Bio

Starting at Metro Arts in 2016 as an intern, Shani has since held a variety of roles across marketing, producing and ticketing. In her current capacity, she manages Metro Arts’ daily operations across venue, administration, ticketing, and our internship and volunteer programs.

Shani has a Bachelor of Entertainment Industries from QUT (2016) and a Certificate III in Visual Communication (Photo Imaging) from the Design College Australia (2013).

Rachel O’Reilly

Curator
Open Bio

Rachel O’Reilly is an artist, writer, curator and researcher working frequently in collaboration. She was a curator of film, video and new media at the Gallery of Modern Art, Brisbane, including the Fifth Asia Pacific Triennial, and worked internationally from 2008 until the pandemic brought her back to Magan-djin. With a background in literature and media studies, her critical writing has focussed on infrastructure and the cultural politics of neoliberal transition. She has a Masters in Media and Culture from the University of Amsterdam, and led the Masters Seminar ‘How to Do Things with Theory’ at the Dutch Art Institute from 2014-2022.

Rachel’s artistic work and thinking has been showcased at Tate Liverpool UK, Haus der Kulturen der Welt DE, Van Abbemuseum NL, E-flux NY, David Roberts Art Foundation UK, the Museum of Yugoslavia, Sao Paulo Museum BRZ, and around Australia in museums, galleries and artist-led spaces. Her most recent major moving image commission Northern Waters (2025) with UQ Art Museum is currently touring Australia.

Her curatorial collaborations include ‘The Leisure Class’, GoMA (with Kathryn Weir), ‘Videoground’ (Bangkok Experimental Film Festival, Chicago Film Studies Centre, MAAP, Brisbane), ‘Moving Images of Speculation’, Jan van Eyck Academie (multiple) NL, ‘EX-EMBASSY’ at the former Australian Embassy to the GDR (with Sonja Hornung) DE; and ‘Planetary Records: Performing Justice between Art and Law’, Contour Biennale (with Natasha Ginwala) BE. She has published on Non-aligned Movement legacies with Jelena Vesic and on the politics of artistic autonomy with Danny Butt, co-edited Feminist Takes with Vesic and Antonia Majaca for Sternberg Press, and edits with Richard Bell. She was born in Gladstone, Queensland, on Gooreng Gooreng country, and is excited to be re-engaging with Metro Arts.

Maisie Crosdale

Producer
Open Bio
In 2024, Maisie Crosdale joined the Metro Arts team as Producer. Prior to this, she collaborated with Metro Arts on Kitchen Studio by Elizabeth Willing, a project co-presented with Brisbane Festival.

Over the past five years, Maisie has built a diverse career across multiple roles within the arts sector. She has worked as Producer at Studio1, Company Producer at Zen Zen Zo Physical Theatre and Supervisor at Brisbane Powerhouse. Additionally, Maisie has contributed to research and teaching at QUT and facilitated programs at Backbone Youth Arts, alongside maintaining a freelance producing practice and providing mentorship.

 

With a strong commitment to producing and theatre-making, Maisie is dedicated to creating sustainable and accessible spaces for artistic practice and process. As an independent artist herself, she is passionate about the intersection of experimental, multi-disciplinary art forms and the development of meaningful, long-term support for artists.

Ann McLean

Marketing & Development Manager
Open Bio

In returning to Metro Arts, having had a long history with the organisation, Ann continues to contribute enduring value to Australia’s cultural and innovation landscape. Her deep connections to the independent arts sector and insights from bringing programs and campaigns to life, contribute to her achieving lasting, meaningful impacts.

Ann works from strategy through to delivery, operating at individual, local, national, and international levels. As an independent producer, Ann has directly developed emerging, future, and established sector leaders and their projects by providing business development, and connections to build careers. She has worked with Integrated Dance Australia, Collusion, Studio1, Homunculus Theatre, Women in Theatre network members Margi Brown Ash and Belloo Creative and creative industries allies. Music industry clients have been as diverse as WHO Agencies, Rock ‘n Roll Writers Festival and the Haydn Ensemble. Her independent projects have included strategies for Nightlife Music, Arts Queensland, Qld Music Festival, Qld Cabaret Festival, Brisbane Chinese Festival, Brisbane Writers Festival, Brisbane Powerhouse, Gold Coast City HOTA, Redland City Council and Supercell Festival of Contemporary Dance.

Ann has driven policy development, strategic planning, and organisational change and sector changing projects. Previous leadership roles include Executive Director and Curator of Brisbane Writers Festival, Director of Brisbane Open House, Executive Director of Ausdance, General Manager of Topology, Marketing and Communications Coodinator of Flying Arts, Chair of the board for Collusion, and General Manager of BlakDance.

Working across education, not-for-profit, and government sectors, Ann’s campaign leadership includes driving corporate communications for QUT Science and Chancellery, City of Moreton Bay media and communications, and in collaboration with local government for State Library of Queensland on a 10-year strategy and landmark statewide promotional campaign for public libraries.

Qualified with a Master of Arts in Creative Industries Management (QUT), post graduate science degree specialising in sustainability, and industry-specific engagement, marketing and fundraising training, Ann is alumni of Creative Australia’s Leadership Development program, and an AsiaLink Business Leader. Ann  advocates for inclusive, healthy and sustainable practices.

 

Bianca Bality

Events & Visitor Services Coordinator
Open Bio

Bianca joined the Metro Arts team in 2022 and is the Venue and Events Officer. In this role she assists and facilitates hire for artists and general community alike, through providing support in bringing their ideas, celebrations and functions into Metro Arts’ unique and eclectic spaces. Prior to this, Bianca has been a familiar face around the local theatre industry, as a Front of House all-rounder, theatre maker, performer and playwright. She is also a co-founder, producer and core creative for independent theatre collective, The Naughty Corner.

Bianca holds a Bachelor of Arts in Contemporary and Applied Theatre from Griffith University, and is particularly passionate about the creation and production of new and evocative performance works within the independent sector.

Campbell Lindsay

Venue & Technical Coordinator
Open Bio

Born in Tamworth, and growing up in Toowoomba, Campbell Lindsay is a Magandjin-based creative with a passion for community focused storytelling. He has worked extensively with independent theatre companies around Brisbane and Queensland; most recently with Broad Encounters Productions as their touring Event/Stage Manager, and (most proudly) as Executive Producer for Yeah Nah Theatre. Spending his formative years in regional Queensland, Campbell developed a passion for stories and events that would bring the community, both local and extended, together. He wishes to explore pathways that make the arts more accessible for regional Queenslanders; whilst also building platforms and networks for emerging artists to showcase their work.

Tarah Walsh

Operations & Event Assistant
Open Bio

Tarah is an experienced arts and events professional with a strong background in operations, production management, stage management, and venue operations. With over five years of experience as a Production Manager within the touring theatre sector, she has developed extensive expertise in the planning, coordination, and delivery of live productions across a range of venues and locations.

Tarah holds a Bachelor of Entertainment Industries from QUT (2016) and a Bachelor of Entertainment Business Management from JMC Academy (2022). Now based in Brisbane, Tarah has joined Metro Arts as an Operations & Event Assistant, bringing her extensive production and touring experience to support the successful delivery of events and creative projects while continuing to grow her career within Queensland’s arts and cultural sector.

Teegan Kranenburg

Technical Consultant
Open Bio

Teegan is a Matilda Award nominated Lighting Designer and Production Manager based in Brisbane/Meanjin. They graduated from Griffith University in 2016 with a Bachelor of Arts in Contemporary and Applied Theatre. They are committed to incorporating design-led storytelling into every project.They have worked across theatre, dance, circus, performance art, drag, and live music in many capacities. Teegan served as Venue and Technical Coordinator at Metro Arts from 2021-2023 and has been the Production Manager at La Boite Theatre since 2023.

As a lighting designer, Teegan’s credits include Hot Tub (Ad Astra), Eat Slay Zombie, Antigone, Macbeth, and Fancy Long Legs (La Boite Theatre), Matriarchs and [gameboy] (Metro Arts),
Mystery Quest (Indel Arts), The Norman Mailer Anecdote (Queensland Theatre, Bis Scary Animal Productions), She (Indelability Arts, Metro Arts), Bliss (The Good Room, Bleach Festival), When the Rain Stops Falling and Blood Wedding (QUT), and So Many Splintered Parts (Assembly of Elephants, All Forms Considered, Queensland Theatre). As an Associate Lighting Designer, their credits include Pramkicker (MO Theatre, QPAC). They were nominated for a Matilda Award for Best Lighting Design on Macbeth (La Boite Theatre, 2025).

Matthew Zaza

Digital Communications & Design Coordinator
Open Bio

Matthew undertook a work placement through QUT during his studies, and soon joined the team as graphic designer/digital coordinator in early 2024. Matt holds a Bachelor of Business Marketing, and Bachelor of Creative Industries Interactive Visual Design in 2023. With a strong passion for graphic design, Matt loves all things visual, and is passionate about helping artists showcase their work and exposing audiences to new contemporary art.

Chris Howlett

Chris Howlett

Workshop Manager
Open Bio

Chris joined the Metro Arts team in 2023 to manage the Norman Park Artist Workshop (MAVA Substation). He has been a practicing artist since the mid-1990’s and holds a Doctor of Philosophy, Masters and Bachelor Degree in Fine Arts. His works have been exhibited in Russia, Germany, Italy, Bulgaria, the USA and throughout Australia. As a practitioner interested in the complexities of studio production his diverse background in contemporary art draws from machinima, interactive game mods, site-specific sculpture, sound art, AI, performance, sculpture and painting. Chris is a graduate of CalArts and Queensland University of Technology.

chrishowlett.com.au

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