Reclaiming identity, agency and grace through transformation
Southeastern reimagines Queensland as a vessel for transformation. Within it, five Brisbane lives unfold, each marked by reinvention, by the courage to change, by the quiet power of becoming. Cameron shapes the body through discipline and endurance. Ayik, once a South Sudanese child soldier, rebuilds belonging within his family and a new land. Lauren, a trans woman, finds beauty through honesty and becoming. Andrew dissolves and reforms through the layered fictions of cosplay. Jim, after illness, discovers renewal through faith.
The work reflects on the body and spirit’s boundless capacity to transform, to alter, to heal, to transcend. In these gestures of change, no act is small, each carries its own quiet profundity. Created in collaboration with cinematographers Ethan Bourke and Brodie Poole, Southeastern pairs each subject with a visual language attuned to their inner world. Each portrait moves gently, a living photograph, textured with light, stillness, and deified reverence.
Through tender observation, Southeastern honours transformation as an act of self-creation, restoring agency and grace to lives too often framed by others.

Jaydon Martin is a multi-disciplinary filmmaker and artist whose practice draws upon the exploration of maligned cultures, mundane existence and spiritual modernity. His cinematic language and emotionally charged aesthetic absorbs the primal eye. Primarily working in docufiction allows Martin to draw a direct line between reality and the subconscious in pursuit of an ecstatic truth.
Martin’s films have screened internationally at festivals, including at International Film Festival Rotterdam, Warsaw International Film Festival, São Paulo International Film Festival, Sydney Film Festival & Melbourne International Film Festival and has received a Special Jury Prize at IFFR and the Black Magic Innovation Award at MIFF.
His work has been written about in publications including Variety, Screen Daily, Criterion, Sight and Sound’s Weekly Film Bulletin & The Monthly. The Guardian named his debut feature Flathead the 4th best Australian film of 2024.
This work has been commissioned by Brisbane International Film Festival.
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