By Debbie Taylor-Worley

Presented by Metro Arts

Gamilaraay-born artist Debbie Taylor-Worley presents a body of work in response to returning to the places of birth and childhood, and listening to the country speak.

Wun-ga-li Ngurrambaa Winanga-li utilises motifs based on Gamilaraay carved trees and incorporates weaving and embroidery techniques, drawing attention to the cultural practices of Taylor Worley’s female ancestors. Each work has been created in, and alongside significant waterways on country, reflecting Gamilaraay women’s responsibility to protect the waterways.

Catalogue essay by Shannon Brett here.



Tue 6 – Sat 24 Jul, 2021

3pm, Sat 24 Jul

4-6pm, Sat 24 Jul


Gallery One
Metro Arts, West End


Tue 6 – Fri 9 Jul 7am – 4.30pm
Sat 10 Jul 10am – 9pm
Sun 11 Jul Closed
Mon 12 Jul 7am – 4.30pm
Tue 13 Jul 7am – 4.30 pm
Wed 14 – Fri 16 Jul 7am – 9pm
Sat 17 Jul 10am – 9pm
Sun 18 Jul 2pm – 9pm
Mon 19 – Fri 23 Jul 7am – 4.30pm
Sat 24 Jul 10am – 9pm
Sun 25 Jul Closed


Debbie Taylor-Worley
As a Gamillaraay woman, who has lived, for the most part, a colonised life, my project is about decolonising my own mind, beliefs and narratives, and going a step further, to reconnect to my spiritual roots. I’m treading a path to connect to my culture, my country and the spirituality of my ancestors, for I believe that Indigenous knowledges in ways of knowing, being and doing are in fact our planet’s only chance of survival. My art practice is a means of cementing that connection to country and culture.

My artmaking processes and materials are profoundly tied to connection to Mother Earth and Ancestors, ceremony and ritual, culture and community, and places and memory. It describes the trials and tribulations of navigating unfamiliar waters, the treading softly on the ground and resisting of greedy mis-use and destruction of the earth’s resources.


This project was funded by the Windmill Trust Scholarship, awarded to Taylor-Worley in 2020.


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