Novel Havens (Queen Street)
‘Novel Havens (Queen Street)’ takes inspiration from the extraordinary way honey bees build their hives and the resident honey combs present on the rooftop of 300 Queen street. Even when placed within neat rectangles of commercial beekeeping frames, bees naturally shape their combs into flowing, curved forms that reflect their own instincts. This installation echoes that process, with panels cut into honeycomb-like shapes that suggest fragments of a hive. Some cells are filled with images and patterns connected to beekeeping, while others are coloured to reflect the vibrant nectars and pollens that bees collect — even echoing the bougainvillea-inspired Brisbane Festival palette. Finished with beeswax, the elements catch the light and carry a gentle aroma, creating an artwork that appeals to sight, smell, and memory.
The work is part of an ongoing practice by Chris Hagen exploring the beauty and fragility of bees and their vital role in our world. Drawing on the artist’s own experiences working on beekeeping farms (apiaries), the installation celebrates the resilience of pollinators while acknowledging the delicate balance they face in today’s environment. Seen up close, the structure becomes a walk-by hive: colourful, fractured, and full of possibility. It invites city-goers to pause and reflect on the humble honeybee—not only as a symbol of hard work and community, but as a reminder of how deeply our lives are connected to these small yet vital creatures. Sites such as 300 Queen Street offer a critical sheltered habitat to colonies while supporting the diverse flora of Brisbane’s urban ecosystem.